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Media Composer 5, Symphony 5, and NewsCutter 9 FAQ - Continuum 2022.5 

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The red workflow guide is available at avid. MetaFuze 2. Metafuze runs with Macintosh computers running Windows natively or with emulation, we currently do not have plans to introduce a version that works natively with the Mac OS. Stereoscopic side by side media has to be created in MetaFuze, correct? Metafuze is Avid's tool for preparing a variety of material for use in Avid Media Composer, and does generate side by side stereoscopic material.

Will there be any differences? Licensing is exactly like 3. Dongles are only available for special case orders, all new systems ship with software licensing. If I already have a dongle, can I continue to use it with the new releases? Will software-only Avid Media Composer v5 output mixed format material through the Firewire port?

All the features described are included in all versions of the product - only ancillary data support is limited to Mojo DX and Nitris DX hardware. Are the software packages described compatible with Windows 64bit Vista, including the Production Suite? Are the software packages described compatible with Windows 7, including the Production Suite?

What Production Suite applications ship with version 5 and Version 9? The Production Suite applications provided with new v5 and v9 systems as well as physical shipping upgrade kits to v5 and v9 after June 10, are:. Yes, Closed Captioning is supported on all products including the new editing software with DX hardware. Yes, Mojo and Mojo SDI are qualified with this release but customers are encouraged to check the system requirements for Mac or Windows for installation information.

Is DVD authoring available on the Mac? If not, is it being considered and when? There is no announcement on DVD for the Mac with this release. Is the new Mulitchannel audio support clip based or track based? Stereo audio clips are now supported as one element in the audio timeline. This eases editing and handling of stereo tracks, in addition to saving space in the timeline.

What version of MediaNetwork with support v5 and Win 7? What about the other OS supported? Avid MediaNetwork v5. Media Compsoer v5 is supported on MediaNetwork v5. Background rendering is possible with Avid DS. It is not currently a feature of the Media Composer family of products. What Ancillary Data Improvements have been made in v5 and v9? Aspect ratio management improvements have been made in v5 and v9? Aspect Ratio management has been improved with the addition of letterbox and pillarbox options when using varied aspect ratios in one timeline.

What Frame rate Mix and Match improvements have been made in v5 and v9? AVCHD material is now supported through the import function within the editing software. AMA capability is not enabled with this format. The associated AC-3 audio material is also decoded. Previously, this product line was limited to YUV Customers can now complete the highest quality projects with requirements for highest precision keying and color correction work, and not surrender these projects to other studios and facilities, increasing their billings and retaining more customers.

This workflow allows for faster editing of low-res material, and then re-linking to full res material for project completion. No transcoding, re-wrapping, or other handling of the material is necessary before using it in Media Composer, and all metadata is accessible. This capability permits Media Composer to more easily integrate into pipelines that include equipment from 3rd party manufacturers. How will this work with FCP? ProRes is supported, as are the.

This significant feature allows incredibly flexible workflows, permitting one file format for multiple applications used in post production such as Adobe After Effects or Final Cut. Customers are saved the steps of transcoding or re-wrapping material before using it in Media Composer v5.

No it doesn't require render - it is broadcast quality playback in real-time. Other variables such as effects, stream count, and platform may affect performance and could require rendering. Are there plans for greater differentiation between Symphony and Media Composer, right now primary difference is secondary color corrector? Symphony is still differentiated by the extended color correction toolset, which includes secondary color correction as well as a number of other color correction enhancements such as Relational CC, HSL controls, Luma Ranges controls, Channel group controls, and Levels controls.

Symphony also has the Universal Mastering toolset. EUR 4. People who viewed this item also viewed. EUR Seller assumes all responsibility for this listing. Item specifics. Item is in original shrink wrap if applicable. See the seller's listing for full details. See all condition definitions opens in a new window or tab. Video Editing. Back to home page Return to top. More to explore :. Condition: Brand New. Media Composer future-proofs your content with its bit floating point color pipeline and ACES color support, ensuring consistent color accuracy from end to end.

Tell stories that showcase true-to-life image quality with effortless HDR workflows. Import, edit, color grade, and deliver incredibly realistic imagery with exceptional detail in the shadows and highlights.

Make your story sound as good as it looks with a suite of audio tools and plugins. Create up to 64 tracks of dialogue, music, and sound effects in 7. Or send all tracks and effects to Pro Tools for audio post—without having to transcode sequences first.

The next-generation Avid Media Engine gives you more power and speed, so you can stay focused on what matters most—your story. From intelligent media handling, to automated tasks, Media Composer takes the work out of your workflow. Experience smooth, reliable editing and playback performance, no matter how large your source files are. Work with all the beautiful, high-resolution image detail of the original media for better editing precision, without your workflow coming to a standstill.

From capture to edit, finishing to output, Media Composer provides the high-efficiency media handling, ACES color space, and bit floating color pipeline you need to deliver HDR content predictably, with pristine accuracy. With the live timeline and unlimited playback streams, you can make changes to sequences during playback on the fly.

Media Composer automates time-consuming tasks in the background. Instead of waiting hours for transcoding, rendering, consolidating, and relinking media, you can just keep working. Even out distracting dialogue and vocal levels with a single knob plugin that detects and corrects audio level inconsistencies.

Ideal for podcasters, videographers, vloggers, dialogue editors, and audio post engineers, it delivers natural results without compression, saving you time. Watch the video. Take the complexity out of color keying with a plugin that makes it easy to key out green or blue screens quickly.

Save time with presets, or use the sliders to fine-tune, with full control over the color range, sensitivity, spill, edge smoothness, and more. You can even create glows, shadows, and outlines around your subject.

Add Foley effects in a scene to make movement sound natural and realistic. Get 50 high-quality, royalty-free production music tracks that can be used in any project. Because the music comes with a worldwide license, you never have to worry about where your production may be watched or used. For new offers, please allow up to 7 business days for product to appear in your account.

Experience the collaborative, efficient workflows top video professionals rely on. Share projects, edit remotely, and have more control over your production. The flexibility you need to accelerate and manage your workflow starts here. Add Avid NEXIS shared storage to your workflow and multiple video editors and assistants can work on the same projects at once. No more accidentally overwriting work or needing to duplicate and micromanage media.

Extend production beyond the walls of your facility. Or deploy a full virtual production suite in the cloud with Edit On Demand. As projects move from offline to online—and from in-house to external teams and back again—the standardized ACES color space ensures that all high-res and HDR projects will maintain full image quality and color accuracy from end to end, across all color and VFX work. With the Distributed Processing option, included with Media Composer Enterprise , you can offload time-consuming rendering, transcoding, and exporting tasks to unused or idle networked computers, freeing up Media Composer workstations, and taking wasteful downtime out of the process.

Media Composer is the only video editing solution that lets you tailor the interface for any role in your organization—from video editors, to assistants, loggers, or journalists. Provide only the tools needed to do the job, enabling better focus and faster completion.

Media Composer is the only video editing software that enables you to limit user access to workspaces and tools and restrict content export, so you can safeguard your media and mitigate costly mistakes and leaks. For editors working in news, sports, and studio production environments, Media Composer integrates with MediaCentral , enabling teams to connect and access content locally and remotely across the entire platform ecosystem.

Boost your Media Composer capabilities with advanced tools for color and news workflows. Gain advanced capabilities and save hours of time with these Media Composer options included with Media Composer Ultimate.

With PhraseFind , you can quickly find clips in a project that contain specific dialogue. Simply type keywords to locate all clips that contain the speech in multiple languages—ideal for unscripted shows.

Compare performances and find the best takes fast. ScriptSync automatically syncs clips to their associated script lines, so you can quickly find takes by scene, script page, or dialogue.

With Symphony , you can stylize shots and correct color with ultra-precision, then deliver content easily with IMF packaging. Plus, universal mastering makes it easy to take your offline online. Get the speed you need to stay ahead of the story.

Enable editors to work from anywhere without changing their workflow and extend collaboration to assistants, showrunners, producers, and other creative contributors.

Plus, it's included with Media Composer Enterprise at no additional charge! Capture, monitor, and output high-res media with powerful video interfaces that offer exceptional performance and versatility. Enable real-time media production with a bullet-proof storage platform offering powerful, predictable performance.

Get the performance, scalability, protection, and reliability top broadcasters rely on to accelerate production, enable up to contributors to work together, and adapt quickly to evolving production requirements.

Get the same secure workflows trusted by an industry and accelerate your media workflow in real time with up to 24 collaborators. Park, preview, and retrieve inactive assets and projects with ease.